(best viewed using Google Chrome, which can automatically translate most pages as necessary) has info and links that point to info about this pointillistic painting (see WORKS at the 2nd artist info URL below for the strip coloration, many different colorations are available online).
has the prior (my comment there had the same artist info URLs).
Again, a larger strip image is shown by clicking the image in Mr. Melcher’s MASTERPIECE #1946 (May 3, 2018) blog entry, accessible by the Check out the blog! box after the last comment.
“And so you see, fellow travelers, compared to an infinite universe in which every person is a star, and we are all stardust, you see that the very idea of slavery is a bunch of bourgeois bullshit cooked up by The Man to keep us from loving each other, by dividing ourselves into “master” and “servants”, when in truth we are all tools to this machine called Capitalism. To be free of the machine, we have to break it. And to break it, we got to stop feeding it, man."
BE THIS GUY over 6 years ago
Men’s Fashion Week, Paris 1890.
Say What Now‽ Premium Member over 6 years ago
Thomas knew that just offering a flower wasn’t enough, so he would dazzle women with his background.
Bilan over 6 years ago
What you’d get if you crossed Sgt Pepper and Peter Max.
pcolli over 6 years ago
Uncle Sam takes a trip.
J Short over 6 years ago
Magic Bob, wishing he could afford a rabbit.
ptnjbrown over 6 years ago
Flower child of the ‘60s…1860’s that is.
rugeirn over 6 years ago
MoMA has a nice page on this painting and the artist. https://www.moma.org/collection/works/78734
prrdh over 6 years ago
Forgery of Paul Signac painting by Mark Landis while he’s off his meds.
Call me Ishmael over 6 years ago
“Like, wow, man..this gives new meaning to “flower power”. But my damn sleeves still need a good pressing."
orinoco womble over 6 years ago
Flower children go to seed and become bloomin’ idiots.
mabrndt Premium Member over 6 years ago
Opus 217. Against the Enamel of a Background Rhythmic with Beats and Angles, Tones, and Tints, Portrait of M. Félix Fénéon in 1890:
https://commons.wikimedia.org/wiki/File:Signac_-_Portrait_de_F%C3%A9lix_F%C3%A9n%C3%A9on.jpg
(best viewed using Google Chrome, which can automatically translate most pages as necessary) has info and links that point to info about this pointillistic painting (see WORKS at the 2nd artist info URL below for the strip coloration, many different colorations are available online).
http://www.artcyclopedia.com/artists/signac_paul.html
https://www.wga.hu/bio_m/s/signac/biograph.html
http://www.artnet.com/artists/paul-signac/
http://www.musee-orsay.fr/en/events/exhibitions/extramural/exhibitions-more/article/paul-signac-1863-1935-4175.html
https://www.biography.com/people/paul-signac-21378521
http://www.all-art.org/history504-1.html
all have info about this artist (again, click any name link in the last for more about that artist). So far, 3 works by him have been used here.
http://www.gocomics.com/that-is-priceless/2018/04/02?comments=visible
has the prior (my comment there had the same artist info URLs).
Again, a larger strip image is shown by clicking the image in Mr. Melcher’s MASTERPIECE #1946 (May 3, 2018) blog entry, accessible by the Check out the blog! box after the last comment.
Andylit Premium Member over 6 years ago
Other suggestions for hallucinogenic viewing:
WizardsHeavy MetalStar Wars IV (Jump to lightspeed)Woodstock
cheetahqueen over 6 years ago
Portrait of Peter Max’s great-great-grandfather!
PatsyL.Paul over 6 years ago
Dr. Timothy Leary enters the flower show.
Call me Ishmael over 6 years ago
Amazing what he pulls out of a ha
Calvins Brother over 6 years ago
Magical Mystery Tour.
santa72404 over 6 years ago
Where are the Blue Meanies?
Funny_Ha_Ha over 6 years ago
Watch me pull a poppy out of my hat.
danketaz Premium Member over 6 years ago
Orchid you not.
Egrayjames over 6 years ago
Paul made it to Woodstock, but when they told him not to take the brown acid….it was too late.
garcalej over 6 years ago
“And so you see, fellow travelers, compared to an infinite universe in which every person is a star, and we are all stardust, you see that the very idea of slavery is a bunch of bourgeois bullshit cooked up by The Man to keep us from loving each other, by dividing ourselves into “master” and “servants”, when in truth we are all tools to this machine called Capitalism. To be free of the machine, we have to break it. And to break it, we got to stop feeding it, man."