An artist could supply a colored photostat as a guide, or the publisher could have their employees handle it.
I saw Robert Crumb give a talk where he showed examples of the coloring from covers of various 40s–50s kid comics. He rhapsodized over the anonymous craftsmen who put such subtle shades and gradations into the generally unrewarding work.
An artist could supply a colored photostat as a guide, or the publisher could have their employees handle it.
I saw Robert Crumb give a talk where he showed examples of the coloring from covers of various 40s–50s kid comics. He rhapsodized over the anonymous craftsmen who put such subtle shades and gradations into the generally unrewarding work.