Scully can afford to draw it everyday, because he’s used Korean sweatshops for his artwork since 1963. Usually it works great, but there was this one time in 1979 where the finales for two days were switched.
The reverberations from the resulting scandal can be felt to this day.
Scully can afford to draw it everyday, because he’s used Korean sweatshops for his artwork since 1963. Usually it works great, but there was this one time in 1979 where the finales for two days were switched.
The reverberations from the resulting scandal can be felt to this day.