The Buckets by Greg Cravens for June 03, 2014
Transcript:
Okay, so we become our collectors... And all the art we collect is art we knock out quick. Then we fake our own deaths, and the art gets really valuable, right? Then, later... You know it'd have to be good art, don't you? Are you sure? Cause I've spent all morning fixing up a hiding place in the attic.
An MFA student I used to know would get permission to paint or sketch in various museums, but most places would insist on stamping her finished work as a forgery. This never made much sense. What’s to stop someone from copying their copy, and selling that as an original?