Eldo: Regarding Kelly’s display of emotions, I think Churchy LaFemme was probably the most expressive of all of the characters. Kelly could use those eyebrow-like flaps on Churchy’s skull to express pensiveness, terror, bemusement, and joy without even having ol’ Turkle open his mouth.
The only person I think has come close to Kelly’s range of motion in recent decades is Bill Watterson. You can really see a lot of Albert (physically) in Hobbes.
Eldo: Regarding Kelly’s display of emotions, I think Churchy LaFemme was probably the most expressive of all of the characters. Kelly could use those eyebrow-like flaps on Churchy’s skull to express pensiveness, terror, bemusement, and joy without even having ol’ Turkle open his mouth.
The only person I think has come close to Kelly’s range of motion in recent decades is Bill Watterson. You can really see a lot of Albert (physically) in Hobbes.